Classic comedy which reflects the broadcast standards, language and attitudes of its time. A suicidal middle-aged man, Mr Gray, moves in to the bed-sitter. He climbs onto the roof and Rigsby goes there to try to bring him down.
Comedy
Year 1977
23 min
Rigsby clumsily attempts to court the lovelorn Ruth. New tenants include a flamboyant actor and an exotic dancer, who test Rigsby's narrow mind.
Classic comedy which reflects the broadcast standards, language and attitudes of its time. Alan let one of the rooms to woman with a baby boy, David, whilst Rigsby was in Spain. After Rigsby returns, he wrongly assumes that David is Miss Jones'.
Classic comedy which reflects the broadcast standards, language and attitudes of its time. Rigsby attempts to have himself cast as male lead in a play written by effeminate lodger Hilary when he discovers that Ruth is playing the role of the love interest.
Classic comedy which reflects the broadcast standards, language and attitudes of its time. Rigsby turns up at the house with a new sports car, purchased in another attempt to woo Miss Jones. But his driving doesn't appear to be as stylish as his motor.
Classic comedy which reflects the broadcast standards, language and attitudes of its time. A suicidal middle-aged man, Mr Gray, moves in to the bed-sitter. He climbs onto the roof and Rigsby goes there to try to bring him down.
Classic comedy which reflects the broadcast standards, language and attitudes of its time. Miss Jones raises suspicions about new tenant Madeline. Rigsby's not too bothered about her brand, but isn't that keen on her partner...
Classic comedy which reflects the broadcast standards, language and attitudes of its time. Alan's getting more serious about Caroline, but Rigsby's far from convinced that the young scruff could possibly make the relationship work.
Classic comedy which reflects the broadcast standards, language and attitudes of its time. The house is plunged into confusion and mourning when Rigsby discovers basement tenant Mr. Osborne, stiff as a board.
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